612 Royalty-Free Audio Tracks for "The Scale"

Email me foe specific sounds on the kalimba sfagergren@gmail. Com.

Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

Percussion sound in dminor scale,. . . Itz my first try to contribute, hope itz alright :).

Translated assembly program. Https://ruslanas. Github. Io/8bit-assembly/.

Sampled handpan in e akebono, traditional japanese scale. Dry version.

Sounds made by me on a tank drum tuned to a pentatonic scale.

*Bohlen-Pierce scale: interval between C and F, lesser septimal tritone on C = F. Just: 7/5 = 582.51 cents. Limit: 7-limit. MIDI pitch bend: 52,58

*Bohlen-Pierce scale: interval between C and B on C = B. Just: 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53

Literally just me playing the first half of a scale on the low e chord and then reversed but it sounds cool.

Diminished seventh chord's use in modulation.

Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.

This is a transformed sound in the time scaling factors. The original sound is:https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The result of a chuck programming session. I edit the program/script live while recording.

Example of modulation to the dominant from vocal music (1836).

Triad in Just Bohlen-Pierce tuning (0 4 7)

This sound was recorded by me with my tower chromatic harmonica in c scale using audacity. The sound was recorded in barcelona.

This is a transformed sound in the frequency scaling factors. The original sound is:https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

Janacek Sinfonietta 2nd movement, opening bars

*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75

4-10 tetrachord on C. Four note segment of the minor scale.

Double bass.

The vowel “a" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58

A short piece of melody. . . Sound is an artifact extracted from one of test records in new audacity. It sounds like a saw. . . Or something? idk. This piece sounds kinda exotic because i used the second half of harmonic e-minor scale. So some people could use this combination (descending harmonic scale) before (even now i can remember two examples. ).

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

This is field recording i took spontaneously as i walked by a large-scale sorority ritual. Some wind noise.

One of my favorite bell loops i've made. 139bpm in the scale of c natural minor.

Altered version of scarysound. Wav, which has been slowed down and reversed to hit a different pitch scale.

A jarritos glass bottle is used as a resonator to generate the g-note in f major scale.

Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod

Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod

Scarlatti Sonata K319, bars 62-80, octatonic descending bassline

Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

F major scale in thirds played on western concert flute. F-durskala i tertser spillet på tværfløjte

The vowel “i" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

*Golden ratio on C. 1.6180339887498948482 (φ) = 833.0902963567409 cents. MIDI pitch bend: 75,74

A large collection of toy cars being dumped rapidly onto the floor. This sound could be used as is or edited to appear as if on a larger scale.

The vowel "o" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod

Coronation scene from Boris Godunov

A large collection of toy cars being slowly dumped onto the floor. This sound could be used as is or edited to appear as if on a larger scale.

The vowel “e" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

An oboe playing the D dorian scale Norsk bokmål: En obo som spiller dorisk skala med tonika på D

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone