Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.
Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.
A short piece of melody. . . Sound is an artifact extracted from one of test records in new audacity. It sounds like a saw. . . Or something? idk. This piece sounds kinda exotic because i used the second half of harmonic e-minor scale. So some people could use this combination (descending harmonic scale) before (even now i can remember two examples. ).
Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod
Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod
Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod
Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod
The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.